From high camp to post-modern camp: Queering post-Soviet pop music

نویسندگان

چکیده

This article examines the post-Soviet transformations of Russian popular music culture ( Estrada), arguing that its aesthetics can be analysed from perspective camp, by looking at two cult performers bridging Soviet and realm – Valery Leontiev Filipp Kirkorov. The analysis is grounded in a close reading artists’ career trajectories, selected videos to lesser extent textual their lyrics public statements. argues performative personas are rooted particular version camp with differing modalities subversiveness each responding both respective cultural political climates, audience expectations, also accordance individual embodiments (post)-Soviet camp. While demonstrates more earnest commitment high drama, Kirkorov continues his ironic experimentation transgression, ambiguity excess, thereby participating queering culture. concludes appropriation strategic, as it responds temporal, national global trends such gay neo-camp Russia.

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ژورنال

عنوان ژورنال: European Journal of Cultural Studies

سال: 2021

ISSN: ['1367-5494', '1460-3551']

DOI: https://doi.org/10.1177/13675494211021413